• TERTIARY COLORS—olive And sage, ochre, terra cotta and russet, peacock blue—were favored, a palette affected by William Morris’s revival of medieval formulas, and with the subdued but clear tones of Japanese woodblock prints. The Japanesque was certainly propelled through the “opening of Japan” by Commodore Perry’s celebrated check out https://www.watchesworld.com/exploring-the-aesthetics-of-dial-design-and-decoration/